At the time of south Indian wedding, there is an important ritual called mangalya dharanam (wearing the mangalsutra), wherein the mangalsutra is tied around the bride’s neck with three knots. In some traditions the groom ties the first knot and the rest two are tied by the groom’s sister. The significance of joining of the beads in one string in the mangalsutra is that, ‘just like each and every bead makes a contribution in the aesthetic necklace, the woman has to blend and integrate into the new family’. Considered auspicious for married women, mangalsutra is believed to have divine powers. Each of the black beads in the Mangalsutra, signify protection from evil power and are believed to protect the marriage of a couple, essentially the life of the husband.
"Bindi"
It is the prerogative of the married woman. A red dot on the
forehead is an auspicious sign of marriage and guarantees the social status and
sanctity of the institution of marriage. The Indian bride steps over the
threshold of her husband's home, bedecked in glittering apparels and ornaments,
dazzling the red bindi on her forehead that is believed to usher in prosperity,
and grants her a place as the guardian of the family's welfare and progeny.
The area between the eyebrows, the sixth chakra known as the
'agna' meaning 'command', is the seat of concealed wisdom. It is the centre
point wherein all experience is gathered in total concentration.The red 'kumkum' between the eyebrows is said to retain energy in the
human body and control the various levels of concentration. It is also the
central point of the base of the creation itself — symbolizing auspiciousness
and good fortune.
"Bangles"
Bangles or Churi (Tamil: Valayal, Malayalam: Vala, Nepali: Chura) are traditional
ornaments worn mostly by South Asian women,
especially Hindus. They are worn after marriage to signify matrimony.
"Sindoor"
Sindoor is traditionally applied at the beginning or completely along the arting-line of a woman’s hair (also called mang) or as a dot on the forehead. Sindoor is the mark of a married woman in Hinduism.
Is a traditional red or orange-red colored cosmetic powder from the Indian subcontinent, usually worn by married women along the parting of their hair. Usage of sindoor denotes that a woman is married
in many Hindu communities, and ceasing to wear it usually
implies widowhood. The main component of
traditional sindoor is usually vermilion.
A version used in Hindu rituals or puja is
known as Kumkum. This also lends itself to the name of a wedding ritual in some Hindu communities, known as 'Haldi-Kumkum'. The sindoor is first applied to the woman by her husband on the day
of her wedding. After this time she must apply this every day herself in the
parting of her hairline.
The
red sindoor is significant for the married woman as she full of colour, when
she becomes a widow she adopts the white dress and removes all colour from her
face including the bright red sindoor.
After widow the wife becomes vidvah and removes
the sindoor. In Hindu culture, the tradition of wearing Sindoor or vermillion is thought to have been
prevalent for more than 5,000 years. According to the Legends, Radha the consort of
Lord Krishna turned the kumkum into a flame- like design on her forehead. In
the famous epic Mahabharata, Draupadi the
wife of the Pandavas wipes off her sindoor in disgust and despair at the
happenings in Hastinapur. Use of Sindoor is very widely mentioned in The Puranas, Lalitha Sahasranama and Soundarya Lahari.
Sindoor expresses a woman's desire for a long
life for her husband. A woman's initial experience with the sindoor is during
her marriage ceremonies. The display of the sindoor is also considered very
important to indicate the married statues of the bride
Adi Sankaracharya writes in Soundarya Lahari
"Tanothu kshemam nas tava vadhana-saundarya
lahari.
Parivaha-sthrotah-saraniriva seemantha-saranih.
Vahanti sinduram
prabala-kabari-bhara-thimira-.
Dvisham brindair bandi-krtham iva navin'arka
kiranam"
(Oh mother, let the line parting thine hairs,
Which looks like a canal, Through which the rushing waves of your beauty ebbs,
And which on both sides imprisons, Your Vermillion , which is like a rising
sun, By using your hair which is dark like, The platoon of soldiers of the
enemy, Protect us and give us peace)
"Toe Rings"
In India, toe rings are considered of great social significance and are regarded as an essential accessory for the married women. Wearing of toe rings is practiced in India. It is worn as a symbol of the married state by Hindu women and is called bichiya in Hindi, Mettelu in Telugu, Metti in Tamil. They are usually made of silver and worn in pairs on the second toe of both feet.
There is a special ceremony performed for wearing toe rings at the time of marriage. Along with other symbols of marriage toe rings are also a traditional symbol of marriage. As toe rings are a symbol of married status, according to the Hindu culture and religious beliefs the unmarried girls are prohibited to wear toe rings.
"Nose rings"
In certain Hindu sects, a nose ring is referred as ‘Nath’ is worn during marriage and is a symbol of married woman. Nose stud is widely worn in South India, especially in Tamil Nadu and in parts of Andhra Pradesh and Karnataka, by both married and unmarried young women. It is known as ‘mookkutthi.’ In some instances, women wear nose stud on both the wings of their nose. In some Hindu communities, the nose stud is not removed and it is a symbol of married women like sindoor and mangal sutra and is an essential part of Shodash Shringar or Solah sringar - the sixteen beautification processes of a bride. Piercing left side is preferable in North India and the right side is pierced in South India.The left nostril is the preferred position for the piercing as Ayurvedic medicine associates this location with the female reproductive organs. It is supposed to make childbirth easier. Nath or the nose ring completes the look of the bride, making her look traditional and ethnic. Made of gold, it is generally worn on the left nostril and is supported by a gold chain, which extends just behind left ear.
Ancient Sanskrit texts talk about the concept of Sola Shringhaar. For an Indian bride, the wedding day is the most important day of her life. Most of the girls in our country have lots of dreams for this day, since it marks the beginning of their journey into womanhood.
Sola singhaar is sixteen items with which every woman should adorn herself as it is deemed to be important that she always looks at her best. The sixteen items adorn all parts of her body and are the bindi, necklaces, bracelets, earrings, flowers in the hair, rings, bangles, armlets, wristbands, ankle-bells, kohl, toe rings, henna, perfume, sandalwood paste, the upper garment and the lower garment.
Anjana
Kajal or kohl is one of the most popular solah shringar. It is basically applied on the edges of the upper and lower eyelids, enhancing the bride's eyes and making it attractive and appealing.
Haar
After the face, next comes the neck of the bride. It is adored with beautiful haar or necklace, which is usually made of gold and embellished with diamonds, pearls or stones.
Karn Phool
Ear rings or karn phool adorn the ear of the bride. Mostly, the ear ring flaunted by the bride is made out of gold and is extremely beautiful and heavy.
Mehendi
Mehndi signifies the essence of love in wedlock and is essentially applied on the hands and feet of the bride, to strengthen that bond of love. It is one of the most special pre-wedding rituals in India.
Bridal Dress
Made in bright bridal colors, such as red, maroon, gold or green, bridal dress comprises of saree, lehenga and salwar kurta. It truly brings out the eternal beauty of the bride.
"The Current Scenario- Introspection & Conclusion"
The concept of wearing a mangalsutra has changed considerably. It is more of a fashion statement than a symbol of marriage, thanks to modernization. With the progressive times, the wearing of mangalsutra in working women has considerably reduced. There is also a marked change in the style and making of mangalsutra over the years.
Bindis are not as fashionable to
the younger generation and are often worn only on formal and traditional occasions
now.
Methods and styles of applying the sindoor vary
from personal choice to regional customs. Recently a triangle shape on the
forehead pointing to the nose has beome popular added with a diamond bindi for
fashion is being worn by younger women.
In todays times, toe rings are no more used as a traditional ornaments. They are found even in the western countries and have become a great fashion accessory of the modern era. In the western culture toe rings are mainly a fashion statement to decorate the feet.
None of the five signs of a married woman are seen these days, unfortunately. Not even sindoor, mangalsootra nor bindi. The main maangalyik marks. :-|
I believe in feeling the essence of all the rituals and beliefs, unfortunately it is less seen in this generation, thanks to modernization and the changing trends.
Be proud of being what you are and from where you belong and strive to keep up to what is being followed rather than catching up with new trends.
Born Indian? Then BE an Indian! :D
By a true Indian!
26th October 2011
Happy Diwali!:)
